The Haus of Sound from Seattle have completely hit it with Madness and this is their strongest release so far. This third single presents a band who have discovered their vibe- a blend of nostalgic 80s and modern alt-pop in a manner that is simultaneously comforting and pleasantly unpredictable.
The vocals of Gabrielle Burton are the highlight here, and they are flying, with a strength that can easily move between a vulnerable and a strong tone. Her performance is an ideal example of an emotional depth of the core of the song, and each hook sounds with the real effect. You hear her struggle with the inexplicability of her finding solace in anarchy, and it is completely compelling.
Production is immaculate--the swirling synths form an atmospheric base that is brooding and danceable. The beat of the drums is unstoppable in its energy, and the whole composition has the cinematic effect due to the retro-futuristic beat. It is that layered sound that unveils something new with every listen, and it rewards the deep listening that it takes and is becoming more and more rare.
What is especially remarkable about Madness is the manner in which it addresses the discomposing reality of toxic cycles-that draws us back to something destructive despite our knowledge to the contrary. The band treats this delicate topic with a great amount of grace and does not sound preachy or hysterical.
The dark lighting in the song is complemented by the music video that is incredibly emotional. It is obvious that it is a band that considers the overall artistic experience, but not about individual songs. Haus of Sound have produced something really thrilling here-music that is whack on the dance floor but which stays in your mind long after. This is the Indie rock the way it should be, style supported by substance.
